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Southwest Washington Woodturners

 

A Chapter of the American Association of Woodturners

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Dale Larson: May Demonstrator


I live in Gresham, Oregon. I have been turning wood for 48 years. My specialty is turning bowls from local hardwoods like Pacific Madrone and Big Leaf Maple.  I started selling my bowls in art galleries in 1991. My bowls currently sell in six art galleries: The Joinery in Portland, Oregon,  The Wood Merchant in LaConner, WA, Museo Gallery in Langley, WA, Bainbridge Arts and Crafts on Bainbridge Island, WA, Appalachian Spring Gallery in Rockville MD and Earthworks Gallery in Yachats, OR. 


I have demonstrated bowl turning, oval turning and spheres at five American Association of Woodturners Symposiums, the Ripon Symposium (England), in Israel and the following regional symposiums: Rocky Mountain, Vancouver BC, Utah, Tennessee, Georgia, Florida, New York, Oregon and at numerous local chapters. I have taught at the John C Campbell Folk School three times and once at Arrowmont School.    


I have published articles about wood and woodturning in the following journals: The American Woodturner, World of Wood, Woodworker West, Woodturning Design and L’echo des Copeaux (AFTAB France). 


I was the past chairman of the Northwest Chapter of the International Wood Collectors Society. I was a founding member and twice past president of the Cascade Woodturners in Portland, Oregon. I served on the Board of Directors of the American Association of Woodturners from 2009 thru 2014 both as Symposium chair and the final three years as President. I currently serve on the Board of Advisors of the AAW.  I was named the AAW Honorary Lifetime Member award for 2019.   


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Bowls by Dale Larson.

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Threaded, nested spheres.

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Threaded, nesed spheres.

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Turned, oval bowl.

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Nested Spheres.

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Nested spheres

Green turning Wooden Bowls

 Dale Larson May 13, 2013


“Green turning” a wooden bowl starts with a piece of wet wood. I rough out a bowl, let the piece dry, then remount the bowl and finish turn it. Here are a few tips that will help you through the process.


The process starts at the tree. I want to get the wood as soon as the tree is cut. If you wait, especially in the summer, the tree will end check and radially check. And bugs will move in and start eating the wood. So the first rule is to get the tree as soon as it is cut. The wood never gets better over time (except for spaulting in some species). As soon as you cut the block, put end sealer on the end grain (Anchorseal, Sealtite 60). If you wait very long micro cracks will start and the sealer will not work as good.


The next step is to rough out the bowl as soon as you can. A big block of wood will want to split and crack as it starts to dry. A roughed out bowl can “move” to relieve the stress and is less likely to crack as it dries.


After the bowl is roughed out, mark the date and source of the wood on the bottom of the bowl. This will allow you to track all the bowls from a given tree over time. When one bowl is ready to turn, generally all the bowls from the same tree are.


How thick to leave the bowl when you rough it out? That answer depends on the wood. The general rule is that the larger the diameter the bowl the thicker to leave it. A 16" bowl maybe 1 ¼” to 1 ½". A smaller bowl would be less. But the answer also depends on the species. Stable woods like Black Walnut can be left thinner. Generally walnut doesn’t move much. Madrone burl and Apple move a lot. You need to leave it thick enough that when it dries there will still be a “round” in it. The problem with leaving it too thick is that it may not let the bowl “move” and the piece will crack.


After I rough out the bowl I use cheap paste wax on the end grain on both the inside and the outside of the bowl. I don’t use Sealtite liquid wax at this stage because it soaks into the end grain. When the bowl dries the wood that the Sealtite has soaked into will have to be turned off. Paste wax does just as good but doesn’t penetrate.


The drying process starts by stacking the bowls on dry stickers in the coolest place in my shop, the floor. If you stack wet bowls touching each other they will mold and spault. Separate them with dry wood stickers. For the first couple of weeks I might check the bowls every day or two. It I find small cracks in the end grain or on the foot I immediately use thin CA glue to seal up the crack. (Bill Luce uses thick CA glue and sawdust to build a “scab” over the crack. The advantage here is that the thick CA glue doesn’t soak into the end grain of the wood which will have to be turned off later.) The cracks tell me the bowls are drying too fast. I then put them in garbage bags with dry chips. This slows the drying process and lets the wood re-equalize its moisture content. The blank cracks because the wood on the outside of the blank is drier than the wood further inside the blank. The dry chips will absorb the moisture from the blanks.




Every couple of days I’ll take out the damp chips and put in dry chips. The bowls may go in and out of the bags several times before they are stable. I leave them in the bags 3 to 4 days then put them back on the stickers on the floor.


If the bowl starts to mold it is drying too slowly. I move the blanks into the heated part of my shop. I want to get the surface moisture off the blanks. But be careful because too long in a warm dry location can crack the blank at this stage. I also spray the blanks with a mixture of 50% household bleach and 50% water. This kills the surface mold. Mold is the first step of spaulting and I generally don’t like the effect at this stage. The bleach doesn’t penetrate enough to affect the wood color.


As time goes on I check the bowls less often. Generally, after six weeks the bowls are stable and won’t crack after that. They are not dry at this time and will continue to move. I then move the bowls up on the racks around my shop and forget about them.


How long does it take to dry the blanks? Depends. Depends on the time of the year. Depends on the species of wood. Madrone burl (that has been boiled) and Big Leaf Maple dry in as little as 4-6 months in the summer. Oregon White Oak and California Black Oak take 18 months to two years.


Time of year to green turn. I like to do my green turning during the cool damp part of the year (late October to early May). This allows the blanks to dry slowly while it is cool. They are stable before it gets hot. I will rough out bowls in the summer time if that is when the wood is available but it is a lot more work to successfully dry them without cracking.


In this area (Western Oregon) roughed out wooden bowls will dry down to 13%-15% moisture content in the unheated part of my shop. Once they reach this point I can move them into my drying room. I keep it at 70 degrees f. and 60% humidity year round. The bowls will dry down to 6% - 8% in there.


The bowl is then ready to remount on the lathe. Remember that the bowl has “moved” during the drying process. The old center that the bowl was roughed out on may not be the new center. A quarter-sawn bowl will move more on the sapwood side as it dries. A flat-sawn bowl will end up longer with the grain and shorter across the grain as it dries. Burl and some woods like Apple will move in all kinds of directions. I measure across two points and locate the new center. I put the faceplate on and slowly rotate the bowl on the lathe. This will tell you if it is centered or you need to move it a little. And you may want to adjust the faceplate depending on how the grain pattern is in the bowl or to remove flaws on one side of the blank.


Because the center can change during the drying process I rarely use chucks to hold the bowl on the lathe for finish turning. I use face plates and screws. When I rough out the piece I try and leave an extra ½ to 3/4 inch extra scrap on the bottom to hold the screws. I generally use a chuck during the green turning. If you put screws into the wet wood during green turning the



tannic acid in the wood and the iron in the screws will react and leave a black spot in the wood that will have to be removed when you finish turn the bowl. After the bowl is dry I can move the faceplate around on the scrap part until I find the new center or where I want the center of the bowl to be. A chuck prevents adjusting for the new center. I also find that most chucks are too big and get in the way when I am turning the bowl down around the foot. A faceplate allows for more clearance down around the foot of the bowl.

You are now ready to remount and finish your bowl.


Green turning has some major advantages over turning dry wood. 1. It is easier to turn wet wood. 2. There is less dust. 3. Finding large pieces of dry wood free of defects and flaws would be hard. 4. I can use wood species and sizes of wood that are not found on the commercial market.


There is a final reason and probably the most important reason to use green wood: I get to control the wood blank. If I go out and buy bowl blanks I’ve let someone else make all the artistic decisions. Michael Elkan’s book “Reading the Wood” says it all. How I cut the bowl blank out of the tree determines what the finished bowl will look like. If someone else cuts the bowl blank out of the tree, they make the artistic decisions. I want to make these decisions on my bowls. I want to “Read the Tree” and cut my blanks out. I am then responsible for what the finished bowl looks like. I want to cut for the prettiest bowls not the most bowls out of a given tree.

How much water is in green wood? I wanted to see how much water was in a block of wood. So I took a fresh cut blank of Black Oak and weighed it at every step of the process. The block was 8” thick and 18” square. Fresh from the tree it weighed 99 lbs. I band sawed it round. It weighed 69 lbs. I roughed it out the same day. It weighed 21 lbs. It took about 2 ½ years to dry. The dry roughed out blank weighed 10 lbs. Note that more than 50% of the weight of the blank was water. The finished bowl weighed about 3 lbs. Simply roughing out the solid blank got rid of nearly 80% of the weight and water the first day and it allowed the blank to move and dry successfully without cracking.


I encourage you to join the American Association of Woodturners. It is an organization dedicated to the education of woodturning. It is a great resource for skills, tools and mentors. Learning how to read and work wood has been a good path in life. I encourage you to walk down this path. Besides, everyone can turn a bowl.

Methods of drying wood bowl blanks.

Dale Larson

April 25, 2020


Air drying. Easy woods to dry: Maple burl and black walnut. Hard to dry: madrone,          cherry with sapwood, apple. 

I rough out the bowls. You have to leave them thick enough that when they dry there is still a round left in the blank. Leave it too thick and it can’t move and more likely to crack.


After they are roughed out I paste wax the end grain. Then I date the bottom and mark the name where I got the tree. So I can track every bowl from each tree. 


Next, I stack them on dry stickers so they don’t touch each other. If you stack wet bowls on each other they will spault.   

I watch the bowls every day for about two weeks. You’ll learn quickly if they wood is stable. This is in my unheated shop.  If it is stable I check is less frequently. After 6 weeks most woods are stable and won’t crack after that. 


Two things to watch for: 1. Cracking. This tells you the wood is drying too fast. The outside wood is drying and needs to move, the interior wood is still wet and can’t move. It cracks. If this happens you need to slow down the drying. I super glue the crack and pack the bowl in a plastic bag with dry chips. The dry chips soak up the free moisture. Replace chips as needed. This re-equalizes the blank. The blank won’t crack if the blank is the same moisture content.


2. Mold. This means the wood is drying too slow. I move it into my heated room for a few hours. Need to get it surface dry. If you leave it too long it will crack. Spray with bleach. Turn a fan on the bowls to help the surface dry.

How long to dry: Maple burl and madrone in 6-8 months. White and black oak 2 years.

Wood teaches you patience. Pipeline. 


Boiling. I turn a lot of Pacific Madrone. This wood is generally not used because it cracks and wraps wildly as it dries. One artist that uses the wild movement to his advantage is Christian Burchard. Christian turns green madrone very thin (in the area of 3/32") and lets his baskets move as they dry. I turn functional bowls and want my wood stable. After I rough out my green turned bowls I boil them for a couple of hours in my stainless steel tank. After the water cools down some I take the bowls out and air dry them as I do other wood. I do watch the bowls closely for about 6 weeks. Some burls like to crack and some are easy to dry. I have also used boiling on several fruit woods like apple and cherry. Cherry sap wood is very prone to cracking as the bowl blanks dry. However, I quit boiling cherry because the boiling clearly takes out the anti fungal elements in the wood. Boiled cherry “pin” spaults almost immediately and I don’t like this spaulting.    


Alcohol. I have not tried this method of soaking wet wood in denatured alcohol to accelerate the drying. The wet wood is rough turned then placed in alcohol for a few days. The alcohol goes into the wood and replaces the water. Then the wood is taken out of the alcohol and the alcohol is allowed to evaporate. Within a few days the wood is dry. This method maybe suitable for small items like pen blanks and wine bottle stoppers. I have two concerns with alcohol. First, it is very flammable and accidents happen. Second, in talking to two friends from England (one being Allen Batty), both said that alcohol drying makes the wood harder, and thus more difficult to finish turn. And the water from the wood goes into the alcohol solution. When the alcohol content gets below 65%, new denatured alcohol is needed. 


Soaking in soap. I have talked with several people who have taken green turned bowls and soaked them in soap water. After soaking the blanks they are taken out and air dried. Again, I have no personal experience with this method. My only concern would be with possible soap residue in the wood. Soap attracts water. Would the soap residue in the wood continue to attract water after the bowl is finish turned? I am not enough of a scientist to answer this.    


Microwave. I think this method is best used on thin projects and you would like to get some nice movement in the wood. I have used it to hasten drying of green roughed out bowls. But it takes a lot of messing around with. I used three minute cycles. I let the wood cool down between cycles. It will take several days of these cycles to dry the blank so I only use it if I have a special call for a bowl. Remember, a microwave dries the wood from inside out. If you see smoke coming out you have probably burned the inside of the wood. And if you try to dry it too quick it will end check. 


Kilns. There are many types of kilns. The most popular for woodturners are the converted refrigerators. These have been described elsewhere. Phil Lapp in our club built one and uses it to dry his rough bowl blanks. Phil said it takes about two weeks to dry a batch of 12" bowl blanks and less for smaller items. Phil said he turns the blanks a little thinner than if he was going to air dry them. Phil likes this kiln method.  The only downside to kiln drying I have heard was from my professional friends in England who said that kiln drying wood makes it harder, thus not as nice to cut with tools as air dried wood.  


PEG. Polyethene glycol. Big end grain pieces. A process made popular by Ed Moulthrop and used by Phillip and Mat Moulthrop.  The rough pieces are soaked in the PEG for a number of weeks, taken out, then dried and turned. Two big negatives, the pieces continue to attract water and very limited choice of finishes. The wood is basically plasticized and it is hard to get a finish to adhere to it.

           

Vacuum kiln. Best way, dries wood from inside out. Tropical hardwoods. Best book on this topic is by Joshua Salesin, Vacuum Kiln Drying for Woodworkers. His book explains how to build and operate a vacuum kiln.   


Freezing. Bill Luce says makes some wood stringy. Takes a long time. Can store wet wood.